House Vinyl New Releases

Strictly limited promo with 2 house edits made by anonymous but famous French DJ. Those who know will jump on it !

Selected by Lea Lisa, Many Shades Of House - Vol 2 is a reflection of time, movement and memory. Built from decades of digging, collecting and playing records, this new chapter captures the many emotional layers of house music.

From uplifting, groove-led moments to deeper, more obscure and cerebral territories. Each track has been chosen not only for its musical strength, but for the stories it carries: nights behind the decks, connections on the dancefloor, and the quiet influence these records have had along the way.

True to the spirit of the first volume, this selection celebrates diversity and timelessness without compromise. It is a tribute to the artists’ vision, to the culture that surrounds this music, and to the shared experience that continues to unite listeners, dancers and selectors across generations.

4 monstruous tracks straight from the basement feat. one of the original house music creator RON HARDY.

Grammy-nominated German producer and DJ, Mousse T is set to headline the next installment of Defected's celebrated House Masters vinyl series with a sprawling three-LP retrospective of his remix career. Spanning six sides of wax, the collection pulls together two decades of dancefloor alchemy, tracing his signature style from disco- inflected house to breakbeat- tinged funk and back again. Including four brand new "Shizzle" and "Re-Rub" productions that are exclusive to this compilation and one remix that has previously never been released on vinyl before, makes this a particularly essential release, offering vinyl access to mixes that may otherwise circulate only in DJ pools or digital crates. House Masters Mousse T. features classic and fresh takes on the likes of Dennis Ferrer, Martin Solveig, Moloko, Camelphat, Spiller, Shakedown and many more, cementing Mousse's reputation as one of house music's most versatile and prolific talents.

Green Goose Vol. 2 marks the second chapter of the label’s various artists series, bringing together a handpicked selection of artists who embody the sound and spirit of the project.

Featuring Jesse You, Kashawar, Nicolas Duque, and Ducato Driver, the EP explores a diverse spectrum of house and techno influences, blending deep grooves, hypnotic rhythms and late-night energy into a cohesive journey.

Next on global swing sublabel, Healing Channel, garrett david taps Ron Obvious to present “More Than This”

It’s Obvious You Won’t Survive by Your Wits Alone.

You’re deep, just like a chasm, You’ve no enthusiam. You’re tired and uninspired, you’re __.
Your day is one of leisure. In which you search for pleasure. You’re bored when you’re adored.
You’re __! While searching for the moon and stars up in the sky, The simple things of normal life just simply pass you by. You sleep, the sun is shining, you wake, it’s time for dining.
There’s nothing new for you to do… you’re __.

We welcome Art Bleek on klakson! this paris based producer/musician already released some nice quality house music on labels like connaisseur recordings but is also know for his more jazz orientated projects, playing live sax and piano! this EP brings you 3 beautifull, deep and soulfull tracks with a nice distinctive drive. Larry Heard meets Metro Area meets Raiders of the Lost Arp!

Great follow up of Dolly Dubs 01! Once again Staffan Lindberg is delivering. His nice & smooth 'The Orbit' is a great & optimistic club track that will have the sun shine on any floor, with the mighty Trevino remix adding a slightly rough edge to the original version. But don't let the easy-going fool you! The b-side dives in deeper territories with 'Y2K' that reminds a bit of early Kevin Saunderson works, and 'Feel like dancing', which is a proper sexy house burner for the morning hours. Wonderful & diverse release.

Great new Klakson release! Sneakthief rocks it with some 80's New York disco Funk with a twist (Think D-train, Kano, Putsch 79). File under House and Disco. Klakson brings back the good times

Ian Pooley returns with a brand-new collection of original productions, delivering exactly what you'd expect from one of house music's true craftsmen.
Road-tested throughout his recent live shows, these tracks have already proven themselves where it matters most: on the dancefloor. Staying faithful to his unmistakable MPC-driven approach, Ian delivers groove, feel and musical restraint in equal measure. Crisp drums, warm sampling, infectious basslines and subtle arrangements come together in a way that only he can deliver.
No overproduction, no unnecessary breakdowns, no gimmicks-just pure, functional house music built for DJs. Timeless, stripped-back and effortlessly effective, this is another reminder why Ian Pooley remains one of the genre's most respected producers.

It’s the last W133 release for the summer of ’26 and it’s a big one. Label Papa Pino and Rotterdam’s samwho pair up for a banging, driving, proggy collaboration/split EP entitled “Baobab”. The duo behind W133 bestseller “Jacarandas” unite again for two more collaborative productions, complemented by one solo track each! Samwho starts off the EP with “D’espia”, a highly energetic progger with dreamy pads, crispy dembow percussion and sexy vocal stabs! On A2, we find the first collaboration, “Caramelo”. The two producers return to their signature percussion work, paired with a venomous rolling bassline and mysterious vocal snippets. On the flip side, the second collaborative track, “Lemon Hasj”, bangs in! A highly intense breaker with catchy vocal shots and chart-hit character. To close it off, Pino Peña delivers his solo production “Swarm Mystique”. The tune starts with a laid-back yet energising groove before swarm-like melodic pads creep in mysteriously! The cover artwork features a photograph taken by Philipp in Kyiv, Ukraine, printed on a two-sided cover sleeve. “Baobab” will be released worldwide on vinyl and digitally on 16th October.

After years of building around techno, Genex is moving somewhere else.

The shift has been happening for a while. The music is becoming less about the expected function of a techno record and more about groove, movement and the details that make a track feel alive.House has always been part of the picture, but now it takes a much bigger role. Weeks & Weeks EP marks the first release from this new chapter.

It also opens the catalogue of Concrete Soul, a new label built around house and techno with soul. A place for music that can be raw without losing its character, and functional without losing the feeling behind it. Concrete Soul is about the contrast between the hard and the human, the concrete and the soul.

"For those who feel the ground"

Label co-founder CRYME releases his third solo EP on the Berlin-based imprint, paving the way for a new, more subtle direction. Across these four tracks we find the artist diving deeper into a sound he's been shaping over the last few months. More adventurous, experimental, still driving and dancefloor-focused. This one is for the early mornings at festivals - that moment when the sunlight starts to break through the fog and the night turns into day. From bubbly, techy and quirky minimal on the A-side to more dubbed and spaced-out cuts on the B-side with a more atmospheric feel. Overall complex music full of movement that's still easy to listen to but keeps the crowd moving.

DJ Support: Mad Matts, Jimpster, Rainer Truby, Craig Smith, Giles Smith, Shane Johnson (Fish Go Deep), Lars Berhenroth, Leo Luscher, Ricky Chong, Rafa Santos, Buti Mabutana and many more

FORMA002 sees label co-founder Glenn Davis back with a deep original production that also does real damage on the dancefloor. Flip over for a true masterpiece remix from Trinidadian deep with his trademark Caribbean rhythms and deep sonics. When you know..

Glenn's deep driving baseline, jazzy chords and synth stabs elevate you to a hypnotic house nirvana. A love for deep atmospheric and melodic house music creates an instant classic from the Dublin producer.

Trinidadian Deep takes the original Davis production, adds his Caribbean magic with layers of live percussion, vocals, organs and sub bass that needs to be heard on a proper club system. Don't sleep on this one.

The Disco Express presents Best of 2026 - a deluxe, special edition 12" pink vinyl celebrating six of our favourite records from another landmark year on the label.

Showcasing the breadth of The Disco Express sound, the compilation journeys through funk-fuelled disco, jackin’ house, soulful grooves and peak-time dancefloor energy, bringing together some of the standout moments from our 2026 catalogue.

Featuring music from Make It Disco, Bustin’ Loose, MGR Mike, Ayce & Spirit of House, LEFTI, La Felix and more, Best of 2026 captures a label continuing to push forward while staying firmly rooted in the spirit of disco.

From the feel-good vocal energy of “What You Gonna Say” and the funk-driven swagger of “Less Struggle, More Hustle”, through to the 70's inspired “The Movers”, the soulful lift of “Stronger” and the irresistible drum rhythms of “Muchacho” and “Run It Up”, this is music made first and foremost for the dancefloor.

The music featured on Best of 2026 has already picked up support from some of the world’s most respected selectors, including Roger Sanchez, Danny Rampling, Marco Carola, Jamie Jones, Joseph Capriati, Paco Osuna, Claptone, Danny Krivit, Sam Divine and Arthur Baker, alongside many more.

Pressed on limited edition pink vinyl, Best of 2026 is a snapshot of The Disco Express in full motion.

Original disco for 21st century dance floors.

And this train ain't slowing down anytime soon…

At the foot of the mountain. Our gaze is inclined toward the summit.

Toward the ascent. The destination that awaits us.

From the valley, we look up at the summit: our destination. But also the path: the true destination.

We can already trace our route, and we are already imagining ourselves walking up there. Along the small ridge, just above the tree line. There, we take a short break and look for the exact spot in the valley where we were standing earlier. It is strange to grasp that we have actually climbed this mountain. To look down from up here at the place where we were just moments ago – the same place we looked up from, toward the place where we are standing now.

And now, knowing what it is like to be up here, we remember what we imagined it would be like back then. What we believed it would mean to stand here.

Along the way, our gaze wanders back and forth. Up toward the mountain, down into the valley, sometimes only at our shoes. We keep walking, one step after another. Our thoughts detached. Our body functioning purely mechanically.

Step left. Step right. Step left. Step right.

Our mind has completely detached itself, and our thoughts race at an immense speed. They summon the most different moments. Moments from our lives. Moments that shaped us, that made us who we are. Or are we perhaps simply trying to understand who we are and how we got here?

It is strange that reaching the summit and looking down could make us believe that we have finally reached, or are striving toward, some superior, triumphant position. When in fact, it is really only about looking at the path we inevitably have to take. Processing impressions from a certain distance. Reconsidering what we have experienced, without losing sight of what lies ahead.

Our gaze turns back toward the summit.

Is there a destination?

An ascent? A summit? A descent? The return?

Or is it only about the insights we encounter along the way?

Am Fuß des Berges. Unser Blick ist zum Gipfel geneigt.

Auf den Aufstieg. Das Ziel, das uns erwartet.

Vom Tal aus blicken wir auf den Gipfel: unser Ziel. Aber auch den Weg: das wahre Ziel.
Unsere Route kann man jetzt schon abstecken, und wir stellen uns bereits vor, wie wir dort oben laufen. Über den kleinen Grat, leicht oberhalb der Baumgrenze. Dort machen wir eine kleine Pause und suchen genau die Stelle im Tal, an der wir vorhin noch standen. Es ist verrückt, zu begreifen, dass wir diesen Berg tatsächlich hinaufgestiegen sind. Von hier oben auf den Ort hinunterzusehen, an dem wir eben noch waren – an denselben Ort, zu dem wir hinaufgeblickt haben, als wir noch dort unten standen.
Und jetzt, da wir wissen, wie es ist, hier oben zu sein, erinnern wir uns daran, was wir uns damals darunter vorgestellt haben. Was wir geglaubt haben, es würde bedeuten, hier zu stehen.

Unterwegs wandert unser Blick hin und her. Hinauf zum Berg, hinunter ins Tal, manchmal nur auf unsere Schuhe. Wir gehen weiter, einen Schritt nach dem anderen. Unsere Gedanken losgelöst. Unser Körper funktioniert rein mechanisch.
Schritt links. Schritt rechts. Schritt links. Schritt rechts.

Unser Geist hat sich völlig losgelöst, und unsere Gedanken rasen mit einer ungeheuren Geschwindigkeit. Sie rufen die verschiedensten Momente herauf. Momente aus unserem Leben. Momente, die uns geprägt haben, aus denen wir geworden sind, wer wir sind. Oder versuchen wir vielleicht einfach nur zu verstehen, wer wir sind und wie wir hierhergekommen sind?

Es ist schon seltsam, dass das Erreichen des Gipfels und der Blick nach unten uns glauben lassen könnten, dass wir endlich eine überragende, triumphale Position erreicht haben oder anstreben würden. Dabei geht es doch eigentlich nur um den Blick auf den Weg, den wir zwangsläufig beschreiten müssen. Eindrücke mit etwas Abstand zu verarbeiten. Erlebtes noch einmal Revue passieren zu lassen, ohne den Blick nach vorne zu verlieren.

Unser Blick wendet sich wieder dem Gipfel zu.
 Gibt es ein Ziel?
Einen Aufstieg? Einen Gipfel? Einen Abstieg? Die Rückkehr?
 Oder geht es nur um die Erkenntnisse, die uns unterwegs begegnen?

NYC dance music legend Joey Longo has been a part of the dance music soundscape for those in the know from way back when, his first records surfacing in 1989 under a variety of monikers and on a slew of labels out of NYC.

One of his lesser known aliases was Dreamhouse, which only produced two tracks Jump & Prance and I Can Feel It, both in 1990 and contained here on this official reissue. Special mention to the Dream Mix which has long been sort after by collectors and DJ's worldwide and repressed here for the first time since it's original release in 1990. Finally an opportunity to own a slice of Joey's signature raw New York sound.

Early DJ support: Skream, Tino, Scuba , Pete Tong, Rampa, Asa Tate, Saoirse, Chloe Calliet, Make A Dance

Latenight Recordings return with the allusive Larry Latenight for more ultra-hyped, hi-tech house music! This time pressed on Limited Blue Vinyl secure your copies now!

Tiger Stripes continues the ‘A Tiger Never Loses Its Stripes’ EP series on Rekids, with part two arriving 30th October 2026. The EP follows part one, released earlier this month, and previews his upcoming sophomore album, his first in two decades, due out later this year.

First up, Tiger Stripes’ 'Strike' is a raw, heavy, swinging warehouse cut with stark lasers and a moody vocal refrain that will lock the floor into a steady march. 'ID' flips the script with funkier bass riffs and dub effects hanging above a lighter, funkier groove, but still locked into irresistible loops. There is a playful touch to 'Nothing To Do', too, where dusty drums, darker synths and prying bass motifs all shuffle and swing with confidence. The soulful 'Free As A Bird' closes with a delightfully dubby skip, lush chords, and expert sound design that brings immeasurable character alongside a well-worked vocal.

Founder of the Strange Idols label, Tiger Stripes has spent over two decades forging his own path with standout releases on Hot Creations, Kaoz Theory, Kwench Records, and more. After stepping back to focus on his indie-rock project Little Lies, he made a full return in 2024 and quickly recaptured the form that’s made him an international favourite.

Radio Slave’s Rekids was founded in 2006 and has since spawned successful offshoots with the Techno-focused Rekids Special Projects in 2017 and its newest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been crucial in developing early artist careers and has become a haven for established acts in House and adjacent genres, recently featuring Harry Romero, Tal Fussman, DJ Minx, The Hacker, and many more.

Early DJ Support: Massimiliano Pagliara, Paranoid London, Logan Fisher, Terry Farley, James Holroyd, Rocky (X Press 2), Francois K, Marcel Vogel, Sean Johnston, Austin Ato, Ron Basejam, Richard Rogers, Oliver Dollar, Crazy P and many more

Creating an international name for itself over the past decade as a sample pack label, Samples From Mars made its inevitable venture into the music world originally as a home for founder Teddy Stuart’s work. Long before making samples, Stuart garnered credits working as a grammy-nominated recording engineer in the hip hop world, and DJing / producing with Justin Strauss as A/JUS/TED, for labels such as DFA, Domino Records and Southern Fried Records. Now the label is set to release a variety of genres - house, disco, techno, ambient, all with a vintage tinge and a focus on high quality, analog production.

Enter Salt Queen. Visual artist and musician Magali van Caloen together with Samples From Mars founder, Teddy Stuart. Based in New York, the duo combine hardware dance aesthetics with dry, salty takes on familiar club moments into music that sits somewhere between funny, raw and unpredictable.

Salt Queen’s debut ‘ARE U OK’ is an acid-laced, deadpan spoken word track with an opening line that snaps any room to attention. A disorienting club encounter unfolds over Italo-inflected 808s and a relentless 303 bassline. There are no chords and no melodies - just a skeletal groove and an intimate voice circling the dancefloor. Drifting between concern and provocation, the vocal runs through cliché club conversations before destabilizing completely into a siren-laden crash out. The ‘Freak Nasty Club Mix’ ditches the plot and lets the hardware breathe, with a thick SH-101 bassline anchoring the first half before a sudden switch into an unrelenting acid pattern that refuses to settle. Two versions of the same wild night out.

Manoeuvres drags you in with stunning percussion that runs throughout the track, but takes you on a Spacey journey with its synthy chords and solos that land you on a far away planet. Now you have landed on Planet ‘Nonna’ the tribe welcome you with a tracky Deep House track that lifts.

Up in the second half with the addition of some shakers and high hats, keeping you locked in. Patience – Feat Margomool. This track is nothing but stunning! An amalgamation of Nonna Fabs Deep musical vibes, production, and Margomools haunting vocal that laces everything up together. Perfect combination in force. If things couldn’t get any deeper, Nonna Fab’s ‘Found The Keys’ sounds like something that’s come straight out of Detroit, you can definitely see Theo Parish getting down to this!

The return of Batty Bass is well and truly underway with a brand-new four-track EP from Hannah Holland. Bringing together Holland with long-time collaborators Kurtis Lincoln and Joy Joseph, the EP delivers four killer dancefloor workouts.

'Action Satisfaction' comes in heavy, driven by a seriously mean, ceaseless bassline and Kurtis Lincoln’s unmistakable vocal, with Joy Joseph’s percussion adding another layer of physicality to the track. Lincoln is an artist, writer and performer whose work moves between fine art, rave culture and performance, bringing a distinctive theatrical edge to his vocal work.

Joy Joseph is a drummer, DJ and live percussionist with a long history spanning East London’s New Wave scene through to collaborations with artists including Mr Hudson, Amy Winehouse and Jessie Ware.

'Mitzubishi' takes things somewhere darker. A sinister, heads-down number built for late-night pressure and packed dancefloors.

The remixes bring two fresh perspectives to the EP’s originals. DJ Spilt, known for his raw take on classic Chicago house, brings down the tempo with a sleazy, low-slung groove that swaps peak-time pressure for after-hours swagger. Meanwhile, Wigs turns Mitzubishi into an even more techno-tinged, heads-down affair designed to lock the crowd in and keep them there.

4 of the biggest Deep House cutz from South Africa’s Stay True Sounds!

Stitched together from organic percussion, field recordings, and textures gathered from across the globe, Vikmatic’s most recent TSoNYC EP, co-produced with label head Danilo Braca, plays like a love letter to New York City, penned in the language of friends and family scattered across its boroughs. Rooted primarily in house, jazz, and Balearic sounds, but pulling just as freely from the sounds of Brazil, Africa, and India, Neighbors moves to the rhythm of a city swept up in the collective pulse of its most lively season.

Playful and minimalistic, “W4 Street” is a jazzy house track that adds a scintillatingly smooth, beachy flair to a nostalgic New York energy for a combination that leaves us unsure of what is improvised and what has been rehearsed to absolute mastery.

The EP’s second track, “Flushing”, represents a dramatic departure from the airiness of the previous one. Haunting and mysterious, with a leaden kick and a capricious synth, there is no question that we are finding ourselves in an entirely different neighborhood.

Early in the track, “Sunset Park” transforms from a deep rumbling into a catchy warm-weather groove with satiny synth layers, textured rhythm, and unhurried guitar and synth solos, evoking a sense of pure ease and beach season contentment.

Sultry and dream-like, “Harlem River Drive” is the ideal send-off for Neighbors, an album firmly situated in the living memory of an iconic urban summer. Warm and bittersweet, with woodwinds comprising the heart of its instrumentation, it’s not hard to picture a sunset in Upper Manhattan.

What does it mean to actually experience another City, one of such historical and cultural'd'asignificance as Detroit, A city that truly expands the capacity of Human love and resilience. Just to be there…?'d'aWhat sound do the birds make?…? What colour are the buses ? …?. What sounds do we hear in the streets'd'a?…? It's like one step beyond just experiencing a place but truly absorbing it as if it becomes a little piece of'd'aus. That's the only way you really get to understand the groove, the little everyday things that make the'd'apeople tick, their daily grievances and small moments of collective joy culminating over lifetimes. That is'd'awhere you get to the essence, the secret sauce and Lord knows this City is oozing with it.'d'aIn July 2025 Ziggy undertook a 6 week residency in the motor city with no concrete plan other than getting to'd'athe roots of a deeply layered and rich musical culture. One that has been a guiding light for many of us..'d'aWhether you are coming from the generation of Motown through the 1st generation of techno to hip hop'd'arevolutionaries, the city has left an undeniable mark on the history of American Music.'d'aAfter meeting at a weeknight vinyl session at a downtown bar, Ziggy and Malik realised they already knew'd'aeach other's work and immediately made plans to hook up in the studio. Malik being a Lifelong Detroiter with'd'aa background as a Gospel keyboardist and Singer turned House dancer, producer and DJ it was no wonder'd'ahe was a perfect addition to the Label Roster. To accommodate the sessions local turntablist and producer'd'aDJ Moppy kindly offered up his home studio and we shared many great records and vegan hot dogs in his'd'aleafy backyard.The music is primarily inspired by the enduring and charismatic folks we encountered in the city, their stories'd'aand personalities live on through the continued Musical Legacy of the city.'d'aSpecial thanks to Mike Banks, Cornelius, Crystal, John '?Jammin'? Collins (R.I.P) Rick Wilhite, Wajeed and all'd'aof the Underground Resistance family who hosted us. DJ Moppy, Meftah, Badriyyah, Raj Mahal all in the'd'abuilding!'d'aGospel and jazzy infused electro-funk and deep-house, a collaboration between one of Detroit'?s'd'aunderground dons Malik Alston and Ziggy Zeitgeist of EXREC. The result of a six week pilgrimage to Detroit'd'ain 2025, Zeitgeist set up shop in DJ Moppy'?s living room and the results are deep, dark and funky'd'a'd'a.

After considerable speculation since Record Store Day, it's now been revealed that the new album by Boards of Canada 'Tomorrow's Harvest' will be released on Monday 10th June 2013 on Warp Records

Nach der Veröffentlichung des neuen Albums "Tomorrow's Harvest", das von einer aufsehenerregenden Internetmarketingstrategie begleitet wurde und Boards Of Canada weltweit erstmals in die Charts katapultierte, erscheint nun - aufgrund starker Nachfrage - eine Reissue-Reihe mit all ihren bisherigen Vinylformaten. Jedes neue Vinyl enthält diesmal zusätzlich einen Downloadcode sowie einen BOC-Sticker aus der jeweiligen Zeitphase. Zuerst erscheinen die Alben "Music Has The Right To Children" (1998), "Geogaddi" (2002) und "The Campfire Headphase" (2006), im zweiten Schritt das Minialbum "Twoism" (1995) sowie die beiden EPs "In A Beautiful Place Out In The Country" (2000) und "Trans Canada Highway" (2006).

Nach der Veröffentlichung des neuen Albums "Tomorrow's Harvest", das von einer aufsehenerregenden Internetmarketingstrategie begleitet wurde und Boards Of Canada weltweit erstmals in die Charts katapultierte, erscheint nun - aufgrund starker Nachfrage - eine Reissue-Reihe mit all ihren bisherigen Vinylformaten. Jedes neue Vinyl enthält diesmal zusätzlich einen Downloadcode sowie einen BOC-Sticker aus der jeweiligen Zeitphase. Zuerst erscheinen die Alben "Music Has The Right To Children" (1998), "Geogaddi" (2002) und "The Campfire Headphase" (2006), im zweiten Schritt das Minialbum "Twoism" (1995) sowie die beiden EPs "In A Beautiful Place Out In The Country" (2000) und "Trans Canada Highway" (2006).

John Barera & Will Martin delivering some straight up & effective no-nonsense house music on Dolly 18! Three powerful and euphoric contemporary club tracks with both that classic club feel and that esoteric Detroit touch, effectively combining the best of both worlds. Third Side on the other hand (the hardware techno formation consisting of Dolly labelboss Steffi & The Analogue Cops) is taking things into slightly deeper and darker techno territories with their driving and hypnotic remix of 'Milestones'... Great allround dj package that will stay in many bags for a long time.

Rayo comes back to the imprint with Vil'ni EP

Including Yourayo bonus track

The Australian Nightime Drama Label Hits Release Number Ten With A Various Artists Ep. It Features A Mix Of Returning Artists And New Signings, With Hiver, Stefan Vincent, Artefakt, Eric Cloutier & Trinity All Featuring On A Release That Once Again Mixes Styles From The Past With A Forward Thinking Vision.


First Up Is Dutchman Stefan Vincent With His First On The Label After Releasing Tracks On The Likes Of Anagram And Dynamic Reflection. It's A Deep Techno Voyage With Far Sighted Synths And Colourful Pads All Bristling Away To Bring A Sense Of Energy Yet Serenity To The Track. Curle And Let Recordings' Hiver Duo Then Go Even Deeper, With Warm, Elastic And Rubbery Basslines And Icy Hi Hats Softened With Broad Synths That Stretch Off To Infinity.

A Gentle Acid Line Finishes Things Off Before Another Duo, This Time Artefakt From Delsin And Field Records, Serves Up The Beautiful Ambient Techno Of Faces Of Others, Which Has Soft Pads Suspending You In The Cosmos As Subtle Rippling Rhythms Drive Things Along. Last Of All, Eric Cloutier Collaborates With Label Regular Trinity On 'hidden Places', A Patient Bit Of Early Evening Dub Techno That Exudes Warmth And Soul.

180g / vinyl onlyPlayedby015 unveils Alte astre EP, Dan Andrei's first solo EP as Aloe Văru.

Klasse Wrecks is happy to welcome new Berlin-based producer Jotel California to the family. The emerging young artist provides a strong and varied EP that introduces his deft production skills and understanding of balanced sonics. 'Borrowed Time' traces the lines of traditional electro but stirs the pot with new flavours and the result is something that is both unique and powerful. Late 90s Techno is referenced on the title track, a dark and haunting driver that emerges into euphoria later on in the journey. While the A1 features the cut up vocals of Babyblade and takes the listener on a pulsing trip that thrashes back and forth before restlessly settling down

VincentIulian debuts on Subtil after his recently published EP on Atipic.

SBTL018 – called Various Whispers – kicks off with “Something”, a mesmeric groover, recurring layers of sequenced sounds and rhythmic patterns on side A.

On the flip side you find the particularly reduced track “Nue Tans”. Looping fragments of words merging with the drums wholly. The most notable characteristic of B2 “PWMA” is a bubbly synth bassline so rich and sugary that you might feel pangs of toothache.

Family Jubilee III – Part 1 is the first part of a fabulous overview into Meanders momentum – featuring two club-oriented tracks from Christopher Ledger + Pressure Point and Pîrvu, and a gorgeous downtempo track from Sublee.